#WomenNow
Opening Reception: Thursday, March 7, 6-8pm
On view: March 7 - March 30th, 2024
Artists Talk: March 30th, 4-6pm
Nancy Bruno is a New York based artist and educator, whose artwork is energized by a range of mediums, from ceramics to found objects. Her artwork integrates material and form to express complexity and conflicts. Nancy Bruno is a New York artist and educator. She is energized by clay and all the wonderful possibilities the ceramic process has to offer. She enjoys working with different clays, firing processes, and surface treatments. Her passion for clay comes from exploring the vast history of ceramics as well as her studies at the Pottery Workshop Jingdezhen and archaeological digs. Nancy's ceramic art references her experiences as a woman through ceramic sculpture and vessels, transforming the female figure, and integrating material and form to express complexity, conflicts, and emotion. Nancy's artwork has been exhibited in various NYC exhibitions and has curated exhibitions with Long Island City Artists. Bruno is currently a professional art teacher for NYC Department of Education.
Nancy Bruno is a New York based artist and educator, whose artwork is energized by a range of mediums, from ceramics to found objects. Her artwork integrates material and form to express complexity and conflicts. Nancy Bruno is a New York artist and educator. She is energized by clay and all the wonderful possibilities the ceramic process has to offer. She enjoys working with different clays, firing processes, and surface treatments. Her passion for clay comes from exploring the vast history of ceramics as well as her studies at the Pottery Workshop Jingdezhen and archaeological digs. Nancy's ceramic art references her experiences as a woman through ceramic sculpture and vessels, transforming the female figure, and integrating material and form to express complexity, conflicts, and emotion. Nancy's artwork has been exhibited in various NYC exhibitions and has curated exhibitions with Long Island City Artists. Bruno is currently a professional art teacher for NYC Department of Education.
India Evans “You don't just see India Evans' works, you enter them, drawn by a slightly illicit-feeling fascination, like you're sneaking into the underground temples of ancient Roman mystery cults. She often leads the eye down long hallways and dark passages that might open up to infinite vistas if we could follow them far enough. Released from their original settings, her antique nudes are free to entice and cavort to their own bacchic purposes...becoming elemental and ineffable as Egyptian gods. Or they choose to speak in butterflies or birds. Her images are tactile and layered, three-dimensional -- or maybe four, since time plays such a large hand in them. The lyrical language fragments she stitches into them can be like obscure inscriptions on broken monuments that occlude as much as they reveal. Maybe it's a dream language, at once surreal and familiar, earthy and numinous, holding keys to hidden mysteries. A young woman opens her legs at the center of a pattern that looks ancient and powerful, like a net of ley lines, or tribal tattoos. It seems an image of pure sex magic, but the inscription adds another dimension of meaning: my heart is the secret the universe is telling.” - John Strausbaugh
India Evans “You don't just see India Evans' works, you enter them, drawn by a slightly illicit-feeling fascination, like you're sneaking into the underground temples of ancient Roman mystery cults. She often leads the eye down long hallways and dark passages that might open up to infinite vistas if we could follow them far enough. Released from their original settings, her antique nudes are free to entice and cavort to their own bacchic purposes...becoming elemental and ineffable as Egyptian gods. Or they choose to speak in butterflies or birds. Her images are tactile and layered, three-dimensional -- or maybe four, since time plays such a large hand in them. The lyrical language fragments she stitches into them can be like obscure inscriptions on broken monuments that occlude as much as they reveal. Maybe it's a dream language, at once surreal and familiar, earthy and numinous, holding keys to hidden mysteries. A young woman opens her legs at the center of a pattern that looks ancient and powerful, like a net of ley lines, or tribal tattoos. It seems an image of pure sex magic, but the inscription adds another dimension of meaning: my heart is the secret the universe is telling.” - John Strausbaugh
Paola Martinez-Fiterre is a Cuban artist currently based in New York. Martinez Fiterre studied at the University of the Arts (ISA) in Havana until 2017. In 2019, she graduated from the International Center of Photography (ICP) in New York, having been awarded both the ICP Director's Fellowship and the ICP New Media Fellowship. Paola was recently awarded the Cintas Foundation Sondra Gilman Gonzalez-Falla Fellowship in Photography 2023-2024. Her practice focuses on the representation of the female subject traversed by the experience of migration. In the past two years, Paola Fiterre's work has been awarded The Reed Foundation Fellowship for Cuban Artists to attend the two-week residency at The Vermont Studio Center, En Foco Photography Fellowship in 2022; and the ICP x Tory Burch Artists Fellowship in 2021. Currently, Fiterre explores expanded photographic and performative practices. Her works are part of the collection of the Museum of Fine Arts, Houston.
Paola Martinez-Fiterre is a Cuban artist currently based in New York. Martinez Fiterre studied at the University of the Arts (ISA) in Havana until 2017. In 2019, she graduated from the International Center of Photography (ICP) in New York, having been awarded both the ICP Director's Fellowship and the ICP New Media Fellowship. Paola was recently awarded the Cintas Foundation Sondra Gilman Gonzalez-Falla Fellowship in Photography 2023-2024. Her practice focuses on the representation of the female subject traversed by the experience of migration. In the past two years, Paola Fiterre's work has been awarded The Reed Foundation Fellowship for Cuban Artists to attend the two-week residency at The Vermont Studio Center, En Foco Photography Fellowship in 2022; and the ICP x Tory Burch Artists Fellowship in 2021. Currently, Fiterre explores expanded photographic and performative practices. Her works are part of the collection of the Museum of Fine Arts, Houston.